Ep. 124 - Ennio Morricone's 'The Mission'
Score Cue Snapshots!
•
Adventure, Drama, History, Music, 12-Jan-2022
We feel that this is one of Ennio Morricone's best scores. The work combines liturgical chorales, native drumming, and Spanish-influenced guitars in an attempt to really capture the cultures depicted in the film. The soundtrack was nominated for an Academy Award in 1986 and won the Golden Globe for Best Original Score, in addition to a BAFTA for Best Music.
The film overall, like much of Roland Joffé's work, is extremely tragic, emotional, and hard-hitting. Enjoy these two cues from the film which highlights Morricone's genius. This scene in particular is when a mercenary and slaver played by Robert De Niro undergoes penance, and in doing so, finds peace.
Where to watch: https://letterboxd.com/film/the-mission/
Listen to the score: https://open.spotify.com/album/2fOlcWrSR032MxwMCQe9LA?si=SGE5G545R56enDvLjFo-ew
--
Every Monday and Wednesday, SCORE CUE SNAPSHOTS brings you iconic scenes married to the corresponding score cue without dialogue and SFX, thus allowing anyone to appreciate how the score works with what you see unfold on-screen.
Up Next in Score Cue Snapshots!
-
Ep. 123 - James Horner's 'The Devil's...
Perhaps this is one of Horner's lesser-known scores from the late 90's, but we love it nonetheless. Featuring a gorgeous bagpipe solo with sweeping melodic strings, there is no question that this is Horner doing what he does best - creating an emotional landscape of melody.
The most striking thi...
-
Ep. 122 - Michael Kamen's 'Die Hard'
The following cues are within this 14-minute sequence from the best Christmas movie ever, "Die Hard"
Cues: "Going After John Again," "Have a Few Laughs", "Don't Shoot!", "Welcome to the Party", "The Fight Begins", and "The Fight"
Nothing compares to this ultimate 1988 holiday classic directed b...
-
Ep. 121 - Thomas Newman's 'White Olea...
There are moments in films when important emotional beats happen between characters. This is one of those moments when the score isn't necessarily front and center, but it is subtly and subconsciously guiding our emotions in the moment. Thomas Newman's 2002 score to 'White Oleander' is a beautifu...
