Ep. 182 - Ben Salisbury & Geoff Barrow's 'Men' (feat Arvo Pärt)
Score Cue Snapshots!
•
Drama, Fantasy, Horror, 31-Aug-2022
Alex Garland is one of our favorite directors for a variety of reasons - creative storytelling, visuals, direction, but also how he integrates music in each of his films. In this 2022 folk horror film, we were excited to listen and experience Ben Salisbury & Geoff Barrow's atmospheric score, which at times was mixed with contemporary neo-classical music. This cue in particular is interesting where the cue morphs into beautiful polyphony composed by Arvo Pärt (which is not heard on the soundtrack).
There is no question that this film is intense, and raises many questions about meaning and its overall theme. We should be conscious that Garland's perspective is something to behold.
Where to watch: https://letterboxd.com/film/men-2022/
Listen to the score: https://music.apple.com/us/album/men-original-motion-picture-soundtrack/1622720495
--
Every Monday and Wednesday, SCORE CUE SNAPSHOTS brings you iconic scenes married to the corresponding score cue without dialogue and SFX, thus allowing anyone to appreciate how the score works with what you see unfold on-screen.
Up Next in Score Cue Snapshots!
-
Ep. 181 - Christopher Young's 'Jennif...
There is a beauty to Christopher Young's music that you can't quite put your finger on. This 1992 thriller opened up with mixed reviews, but over the course of time we feel the film has aged well. Featuring Andy Garcia, Uma Thurman, and John Malkovich, the story follows a murder case that focuses...
-
Ep. 180 - Shirley Walker's 'Final Des...
'Final Destination' is one of our favorite movies, most notable for its creative horror twists and great score by the legendary Shirley Walker. The snapshot featured here is the opening sequence of the film, which is a great example of Walker's dynamic and epic composing style. The "Main Title" p...
-
Ep. 179 - Marie Antoinette feat. Bow ...
There is no question that Sofia Coppola's 'Marie Antoinette' turned heads on its release in 2006 because of some unique and new artistic choices done at the time. She was able to blend a very 18th century inspired score by Dustin O'Halloran with a modern contemporary soundtrack - a unique almost ...